• Amira Medunjanin & REKA - Balkan River of Music - UCI ME MAMO, KARAJ ME

    Amira Medunjanin & REKA - Balkan River of Music - UCI ME MAMO, KARAJ ME 3. SARAJEVO SEVDAH FEST

    published: 16 Sep 2013
  • Chann Ve (Full Song) - Karaj Randhawa Feat. Music Brigade | Latest Punjabi Song 2016 | 7HawkRecords

    7hawk Records presents new Punjabi romantic song "Chan Ve" which is penned and sung by very talented singer Karaj Randhawa and soulful music given by MusicBrigade || Song :- Chann Ve Singer/Lyricist - Karaj Randhawa [http://www.facebook.com/KarajRandhawaMusic] Music by MusicBrigade [http://www.facebook.com/MusicBrigadeOfficial] Video Director :- Nitish Verma https://www.facebook.com/Nitish-Verma-620535041377846/ Editor : Varun Arora DOP : Rahul Arora Asst director :Kavita Sareen Special thnx : Navi salaria,OP Verma,Munish Verma Produced by Nishan Singh & Jatinder Rukanpuri Label - 7hawk Records [https://www.facebook.com/7hawkrecords] Contact:- 7078900022 ,9501861930 Hungama - http://www.hungama.com/#/music/album-chann-ve-songs/17322083 Available on iTunes - https://itunes.apple....

    published: 06 Feb 2016
  • Flower Kind Farhad Zadehnour Iran Music Irani ايرانی Karaj Iranian Music Fafar

    published: 19 Apr 2010
  • Leb i Sol - Uci Me Majko, Karaj Me

    Legendary Macedonian rock band, Leb i Sol, performing one of their best songs.

    published: 30 Mar 2008
  • Music of Iran, Karaj - Bedâh e navazi santûr (Impromptu on the santur)

    ●▬▬▬▬▬▬▬▬▬▬▬▬▬ஜ۩۞۩ஜ▬▬▬▬▬▬▬▬▬▬▬▬▬● Artists: Sadjadifard, Agha-ye - santur Sahihi, Agha-ye - tombak Album:The Music of Islam, Vol. 12: Music of Iran, Karaj. Year: 1998 Ten years in the making, The Music of Islam series recorded in Egypt, Morocco, Tunisia, Turkey, Yemen, Pakistan, Indonesia, Iran and Qatar represents the most comprehensive sound documentation available to Westerners today, of a world religion dating back to 1/622. Although governed by strict rules for fourteen centuries, contact with other cultures has radically affected Islamic music throughout history. As the world enters the XV/21st century the timing of this collection serves an even larger purpose, documenting the traditions that have survived and will continue to survive for centuries to come. Today, one fifth of the w...

    published: 27 Jul 2014
  • Karaj Adeem - Let's Rock (a Tribute to Old School Rock Music)

    This song is a tribute to rock music and it's inspired of the Movie (School of Rock) Like us on Facebook: https://www.facebook.com/Karaj.Adeem Follow us on Twitter: @Karaj_Adeem

    published: 17 Jan 2014
  • Violinbaby Music Studio Teacher's Concert, Karaj

    A new piece for violin and piano composed by Joshua Charney, teacher at Violinbaby Music Studio. The title of the piece is Karaj, it's a city in Iran. Violin: Lucy Lu Piano: Joshua Charney

    published: 13 Aug 2010
  • Music of Iran, Karaj - Gat-e Kurdî

    ●▬▬▬▬▬▬▬▬▬▬▬▬▬ஜ۩۞۩ஜ▬▬▬▬▬▬▬▬▬▬▬▬▬● Artists: Djamshidi, Agha-ye - kamanche Sadjadifard, Agha-ye - santur Sahihi, Agha-ye - tombak Album:The Music of Islam, Vol. 12: Music of Iran, Karaj. Year: 1998 Ten years in the making, The Music of Islam series recorded in Egypt, Morocco, Tunisia, Turkey, Yemen, Pakistan, Indonesia, Iran and Qatar represents the most comprehensive sound documentation available to Westerners today, of a world religion dating back to 1/622. Although governed by strict rules for fourteen centuries, contact with other cultures has radically affected Islamic music throughout history. As the world enters the XV/21st century the timing of this collection serves an even larger purpose, documenting the traditions that have survived and will continue to survive for centuries to c...

    published: 27 Jul 2014
  • Music of Iran, Karaj - Avâz Shooshtari

    ●▬▬▬▬▬▬▬▬▬▬▬▬▬ஜ۩۞۩ஜ▬▬▬▬▬▬▬▬▬▬▬▬▬● Artists: Djamshidi, Agha-ye - kamanche Sahihi, Agha-ye - tombak Album:The Music of Islam, Vol. 12: Music of Iran, Karaj. Year: 1998 Ten years in the making, The Music of Islam series recorded in Egypt, Morocco, Tunisia, Turkey, Yemen, Pakistan, Indonesia, Iran and Qatar represents the most comprehensive sound documentation available to Westerners today, of a world religion dating back to 1/622. Although governed by strict rules for fourteen centuries, contact with other cultures has radically affected Islamic music throughout history. As the world enters the XV/21st century the timing of this collection serves an even larger purpose, documenting the traditions that have survived and will continue to survive for centuries to come. Today, one fifth of the w...

    published: 27 Jul 2014
  • PGI [Full Video HD] - Karaj Randhawa | Music Brigde | Brand New Punjabi Songs 2016

    PGI By Karaj Randhawa Latest New Punjabi Songs 2016. Music Given By Music Brigde. Lyrics Written By Bunty Bains. Song Copyright Of Speed Records. Track :- PGI Artist :- Karaj Randhawa Music :- Music Brigde Lyrics :- Guri Label :- Speed Records Tags :- pgi karaj randhawa karaj randhawa pgi chhad na jaavin jordan sandhu jordan sandhu chhad na jaavin chadd na jaavi jordan sandhu jordan sandhu new song 2016 sach te supna amrit maan amrit maan sach te supna amrit maan new song 2016 sochi naa jassi gill jassi gill sochi naa sochi na jassi gill jassi gill sochi na jassie gill sochi naa sochi naa jassie gill laavan arman bedil arman bedil laavan laavan armaan bedil armaan bedil laavan yaaran re khilaaf gurjazz gurjazz yaaran de khilaaf gurjazz new song 2016

    published: 04 Sep 2016
Amira Medunjanin & REKA - Balkan River of Music - UCI ME MAMO, KARAJ ME

Amira Medunjanin & REKA - Balkan River of Music - UCI ME MAMO, KARAJ ME

  • Order:
  • Duration: 6:50
  • Updated: 16 Sep 2013
  • views: 23600
videos
Amira Medunjanin & REKA - Balkan River of Music - UCI ME MAMO, KARAJ ME 3. SARAJEVO SEVDAH FEST
wn.com/Amira Medunjanin Reka Balkan River Of Music Uci Me Mamo, Karaj Me
Chann Ve (Full Song) - Karaj Randhawa  Feat. Music Brigade | Latest Punjabi Song 2016 | 7HawkRecords

Chann Ve (Full Song) - Karaj Randhawa Feat. Music Brigade | Latest Punjabi Song 2016 | 7HawkRecords

  • Order:
  • Duration: 4:44
  • Updated: 06 Feb 2016
  • views: 214996
videos
7hawk Records presents new Punjabi romantic song "Chan Ve" which is penned and sung by very talented singer Karaj Randhawa and soulful music given by MusicBrigade || Song :- Chann Ve Singer/Lyricist - Karaj Randhawa [http://www.facebook.com/KarajRandhawaMusic] Music by MusicBrigade [http://www.facebook.com/MusicBrigadeOfficial] Video Director :- Nitish Verma https://www.facebook.com/Nitish-Verma-620535041377846/ Editor : Varun Arora DOP : Rahul Arora Asst director :Kavita Sareen Special thnx : Navi salaria,OP Verma,Munish Verma Produced by Nishan Singh & Jatinder Rukanpuri Label - 7hawk Records [https://www.facebook.com/7hawkrecords] Contact:- 7078900022 ,9501861930 Hungama - http://www.hungama.com/#/music/album-chann-ve-songs/17322083 Available on iTunes - https://itunes.apple.com/in/album/chann-ve-feat.-brigade-single/id1082275731 Saavn - http://www.saavn.com/p/album/punjabi/Chann-Ve-2016/eEDpd6Mwz7A_ For CallerTunes Airtel Subscriber for Hello Tune Dial 5432115274350 Vodafone Subscribers for Caller Tune Direct Dial 5377344000 Idea Subscribers Dial 567897344000 Tata DoCoMo Subscribers dial 5432117344000 BSNL (South / East) Subscribers sms BT 7344000 To 56700 BSNL (North / West) Subscribers sms BT 5848724 To 56700 Virgin Subscribers sms TT 7344000 To 58475 Uninor Subscribers sms ACT CT 7344000 to 52211
wn.com/Chann Ve (Full Song) Karaj Randhawa Feat. Music Brigade | Latest Punjabi Song 2016 | 7Hawkrecords
Flower Kind Farhad Zadehnour Iran Music Irani ايرانی Karaj Iranian Music Fafar

Flower Kind Farhad Zadehnour Iran Music Irani ايرانی Karaj Iranian Music Fafar

  • Order:
  • Duration: 4:29
  • Updated: 19 Apr 2010
  • views: 2670
videos
wn.com/Flower Kind Farhad Zadehnour Iran Music Irani ايرانی Karaj Iranian Music Fafar
Leb i Sol - Uci Me Majko, Karaj Me

Leb i Sol - Uci Me Majko, Karaj Me

  • Order:
  • Duration: 5:20
  • Updated: 30 Mar 2008
  • views: 1449395
videos
Legendary Macedonian rock band, Leb i Sol, performing one of their best songs.
wn.com/Leb I Sol Uci Me Majko, Karaj Me
Music of Iran, Karaj - Bedâh e navazi santûr (Impromptu on the santur)

Music of Iran, Karaj - Bedâh e navazi santûr (Impromptu on the santur)

  • Order:
  • Duration: 12:44
  • Updated: 27 Jul 2014
  • views: 751
videos
●▬▬▬▬▬▬▬▬▬▬▬▬▬ஜ۩۞۩ஜ▬▬▬▬▬▬▬▬▬▬▬▬▬● Artists: Sadjadifard, Agha-ye - santur Sahihi, Agha-ye - tombak Album:The Music of Islam, Vol. 12: Music of Iran, Karaj. Year: 1998 Ten years in the making, The Music of Islam series recorded in Egypt, Morocco, Tunisia, Turkey, Yemen, Pakistan, Indonesia, Iran and Qatar represents the most comprehensive sound documentation available to Westerners today, of a world religion dating back to 1/622. Although governed by strict rules for fourteen centuries, contact with other cultures has radically affected Islamic music throughout history. As the world enters the XV/21st century the timing of this collection serves an even larger purpose, documenting the traditions that have survived and will continue to survive for centuries to come. Today, one fifth of the world's population, one billion people, are Muslims, occupying a large territory stretching from the Atlantic shore of north and west Africa, through west, central, and south Asia to island southeast Asia, and attracting an increasing following in India, western Europe, north America, east Asia, and southern Africa. This is a global presence which cannot be ignored. Many orthodox Muslims have traditionally held that music is generally detrimental to the listener's religious life, and as a result there is relatively little sacred music in Islam. But there is some. Central to Islamic life is the chanting of the holy scripture, the Qur'an. Two associated works, the call to prayer known as ezan (adhon) and the tekbir, are known throughout the Islamic world, and are also performed in a highly stylized, richly embroidered style of chant. These prayers are the subject of this volume. A further prayer, the mevlud (mawlid) and regional prayers for the month of Ramadan are reserved for special occasions. All of these sacred works are sung/recited (the distinction becomes almost a semantic one in these performances in Arabic, of course); but difference in pronunciation and inflection have led to distinctly regional styles of performance. The five reciters recorded in this volume are all based in Istanbul, Turkey, where the tradition of Qur'anic chant is particularly strong. The music culture of Yemen is a domain which has, until this recording and accompanying annotation, been scarcely known or documented. Yet, it has deep historic roots. The music of Yemen is extremely rich in genres, repertoires and configurations, functional relationships, modalities of performance and instruments. Yemenite music in general, and regardless of all the differences between layers of tradition and local and regional styles, has a particular attraction and charm, virtues which have been praised since ancient times. The instrumental compositions in this recording belong to Persian art music as passed down to the present. The marked preference of the Persians for instrumental music contributed to the dedication of greater attention by the Arabs, orientated more towards vocal music, to the development of instruments and instrumental performance. Gusheh-ha—designating small dimensioned tonal melodic tone groups—form the foundations of the great complex creations of the classical music of Iran. A gusheh (singular) is comprised of a dastgah—a kind of five–part suite. The connection with classical music is first established by the integration of all recordings in two very popular dastgah-ha (plural), Shur and Homayoun, also found in most regional music traditions. The instrumental compositions combining the kemenche and santur offer an excellent rendering of the feeling for sound or of the sound ideal of classical Persian music culture. They are accompanied in the rhythmical formation by the zarb or duff. This present video is fan-made with no commercial purpose. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use ●▬▬▬▬▬▬▬▬▬▬▬▬▬ஜ۩۞۩ஜ▬▬▬▬▬▬▬▬▬▬▬▬▬●
wn.com/Music Of Iran, Karaj Bedâh E Navazi Santûr (Impromptu On The Santur)
Karaj Adeem - Let's Rock (a Tribute to Old School Rock Music)

Karaj Adeem - Let's Rock (a Tribute to Old School Rock Music)

  • Order:
  • Duration: 5:17
  • Updated: 17 Jan 2014
  • views: 833
videos
This song is a tribute to rock music and it's inspired of the Movie (School of Rock) Like us on Facebook: https://www.facebook.com/Karaj.Adeem Follow us on Twitter: @Karaj_Adeem
wn.com/Karaj Adeem Let's Rock (A Tribute To Old School Rock Music)
Violinbaby Music Studio Teacher's Concert, Karaj

Violinbaby Music Studio Teacher's Concert, Karaj

  • Order:
  • Duration: 8:41
  • Updated: 13 Aug 2010
  • views: 249
videos
A new piece for violin and piano composed by Joshua Charney, teacher at Violinbaby Music Studio. The title of the piece is Karaj, it's a city in Iran. Violin: Lucy Lu Piano: Joshua Charney
wn.com/Violinbaby Music Studio Teacher's Concert, Karaj
Music of Iran, Karaj - Gat-e Kurdî

Music of Iran, Karaj - Gat-e Kurdî

  • Order:
  • Duration: 1:57
  • Updated: 27 Jul 2014
  • views: 403
videos
●▬▬▬▬▬▬▬▬▬▬▬▬▬ஜ۩۞۩ஜ▬▬▬▬▬▬▬▬▬▬▬▬▬● Artists: Djamshidi, Agha-ye - kamanche Sadjadifard, Agha-ye - santur Sahihi, Agha-ye - tombak Album:The Music of Islam, Vol. 12: Music of Iran, Karaj. Year: 1998 Ten years in the making, The Music of Islam series recorded in Egypt, Morocco, Tunisia, Turkey, Yemen, Pakistan, Indonesia, Iran and Qatar represents the most comprehensive sound documentation available to Westerners today, of a world religion dating back to 1/622. Although governed by strict rules for fourteen centuries, contact with other cultures has radically affected Islamic music throughout history. As the world enters the XV/21st century the timing of this collection serves an even larger purpose, documenting the traditions that have survived and will continue to survive for centuries to come. Today, one fifth of the world's population, one billion people, are Muslims, occupying a large territory stretching from the Atlantic shore of north and west Africa, through west, central, and south Asia to island southeast Asia, and attracting an increasing following in India, western Europe, north America, east Asia, and southern Africa. This is a global presence which cannot be ignored. Many orthodox Muslims have traditionally held that music is generally detrimental to the listener's religious life, and as a result there is relatively little sacred music in Islam. But there is some. Central to Islamic life is the chanting of the holy scripture, the Qur'an. Two associated works, the call to prayer known as ezan (adhon) and the tekbir, are known throughout the Islamic world, and are also performed in a highly stylized, richly embroidered style of chant. These prayers are the subject of this volume. A further prayer, the mevlud (mawlid) and regional prayers for the month of Ramadan are reserved for special occasions. All of these sacred works are sung/recited (the distinction becomes almost a semantic one in these performances in Arabic, of course); but difference in pronunciation and inflection have led to distinctly regional styles of performance. The five reciters recorded in this volume are all based in Istanbul, Turkey, where the tradition of Qur'anic chant is particularly strong. The music culture of Yemen is a domain which has, until this recording and accompanying annotation, been scarcely known or documented. Yet, it has deep historic roots. The music of Yemen is extremely rich in genres, repertoires and configurations, functional relationships, modalities of performance and instruments. Yemenite music in general, and regardless of all the differences between layers of tradition and local and regional styles, has a particular attraction and charm, virtues which have been praised since ancient times. The instrumental compositions in this recording belong to Persian art music as passed down to the present. The marked preference of the Persians for instrumental music contributed to the dedication of greater attention by the Arabs, orientated more towards vocal music, to the development of instruments and instrumental performance. Gusheh-ha—designating small dimensioned tonal melodic tone groups—form the foundations of the great complex creations of the classical music of Iran. A gusheh (singular) is comprised of a dastgah—a kind of five–part suite. The connection with classical music is first established by the integration of all recordings in two very popular dastgah-ha (plural), Shur and Homayoun, also found in most regional music traditions. The instrumental compositions combining the kemenche and santur offer an excellent rendering of the feeling for sound or of the sound ideal of classical Persian music culture. They are accompanied in the rhythmical formation by the zarb or duff. This present video is fan-made with no commercial purpose. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use ●▬▬▬▬▬▬▬▬▬▬▬▬▬ஜ۩۞۩ஜ▬▬▬▬▬▬▬▬▬▬▬▬▬●
wn.com/Music Of Iran, Karaj Gat E Kurdî
Music of Iran, Karaj - Avâz Shooshtari

Music of Iran, Karaj - Avâz Shooshtari

  • Order:
  • Duration: 5:16
  • Updated: 27 Jul 2014
  • views: 533
videos
●▬▬▬▬▬▬▬▬▬▬▬▬▬ஜ۩۞۩ஜ▬▬▬▬▬▬▬▬▬▬▬▬▬● Artists: Djamshidi, Agha-ye - kamanche Sahihi, Agha-ye - tombak Album:The Music of Islam, Vol. 12: Music of Iran, Karaj. Year: 1998 Ten years in the making, The Music of Islam series recorded in Egypt, Morocco, Tunisia, Turkey, Yemen, Pakistan, Indonesia, Iran and Qatar represents the most comprehensive sound documentation available to Westerners today, of a world religion dating back to 1/622. Although governed by strict rules for fourteen centuries, contact with other cultures has radically affected Islamic music throughout history. As the world enters the XV/21st century the timing of this collection serves an even larger purpose, documenting the traditions that have survived and will continue to survive for centuries to come. Today, one fifth of the world's population, one billion people, are Muslims, occupying a large territory stretching from the Atlantic shore of north and west Africa, through west, central, and south Asia to island southeast Asia, and attracting an increasing following in India, western Europe, north America, east Asia, and southern Africa. This is a global presence which cannot be ignored. Many orthodox Muslims have traditionally held that music is generally detrimental to the listener's religious life, and as a result there is relatively little sacred music in Islam. But there is some. Central to Islamic life is the chanting of the holy scripture, the Qur'an. Two associated works, the call to prayer known as ezan (adhon) and the tekbir, are known throughout the Islamic world, and are also performed in a highly stylized, richly embroidered style of chant. These prayers are the subject of this volume. A further prayer, the mevlud (mawlid) and regional prayers for the month of Ramadan are reserved for special occasions. All of these sacred works are sung/recited (the distinction becomes almost a semantic one in these performances in Arabic, of course); but difference in pronunciation and inflection have led to distinctly regional styles of performance. The five reciters recorded in this volume are all based in Istanbul, Turkey, where the tradition of Qur'anic chant is particularly strong. The music culture of Yemen is a domain which has, until this recording and accompanying annotation, been scarcely known or documented. Yet, it has deep historic roots. The music of Yemen is extremely rich in genres, repertoires and configurations, functional relationships, modalities of performance and instruments. Yemenite music in general, and regardless of all the differences between layers of tradition and local and regional styles, has a particular attraction and charm, virtues which have been praised since ancient times. The instrumental compositions in this recording belong to Persian art music as passed down to the present. The marked preference of the Persians for instrumental music contributed to the dedication of greater attention by the Arabs, orientated more towards vocal music, to the development of instruments and instrumental performance. Gusheh-ha—designating small dimensioned tonal melodic tone groups—form the foundations of the great complex creations of the classical music of Iran. A gusheh (singular) is comprised of a dastgah—a kind of five–part suite. The connection with classical music is first established by the integration of all recordings in two very popular dastgah-ha (plural), Shur and Homayoun, also found in most regional music traditions. The instrumental compositions combining the kemenche and santur offer an excellent rendering of the feeling for sound or of the sound ideal of classical Persian music culture. They are accompanied in the rhythmical formation by the zarb or duff. This present video is fan-made with no commercial purpose. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use ●▬▬▬▬▬▬▬▬▬▬▬▬▬ஜ۩۞۩ஜ▬▬▬▬▬▬▬▬▬▬▬▬▬●
wn.com/Music Of Iran, Karaj Avâz Shooshtari
PGI [Full Video HD] - Karaj Randhawa | Music Brigde | Brand New Punjabi Songs 2016

PGI [Full Video HD] - Karaj Randhawa | Music Brigde | Brand New Punjabi Songs 2016

  • Order:
  • Duration: 3:06
  • Updated: 04 Sep 2016
  • views: 20
videos
PGI By Karaj Randhawa Latest New Punjabi Songs 2016. Music Given By Music Brigde. Lyrics Written By Bunty Bains. Song Copyright Of Speed Records. Track :- PGI Artist :- Karaj Randhawa Music :- Music Brigde Lyrics :- Guri Label :- Speed Records Tags :- pgi karaj randhawa karaj randhawa pgi chhad na jaavin jordan sandhu jordan sandhu chhad na jaavin chadd na jaavi jordan sandhu jordan sandhu new song 2016 sach te supna amrit maan amrit maan sach te supna amrit maan new song 2016 sochi naa jassi gill jassi gill sochi naa sochi na jassi gill jassi gill sochi na jassie gill sochi naa sochi naa jassie gill laavan arman bedil arman bedil laavan laavan armaan bedil armaan bedil laavan yaaran re khilaaf gurjazz gurjazz yaaran de khilaaf gurjazz new song 2016
wn.com/Pgi Full Video Hd Karaj Randhawa | Music Brigde | Brand New Punjabi Songs 2016
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